Honors3rd Place, Laguna Plein Air Members' Show, 2008 First Place, Paint the Parks Top 100, 2007 2nd Place, Grand Marais Plein Air, 2007 Best of Show, San Luis Obispo (CA) 2006 Plein Air Festival Best in Show 2007, 2006, and Purchase Award 2006, Jaques Art Center Plein Air, Aitkin, MN Judge, Grand Marais (MN) Art Colony Plein Air event 2006 People's Choice Award, Red Stallion Gallery, Estes Park Plein Air, August 2006 Second Place and Purchase Award, “Minnetonka Magic 2006” exhibition, Wilcock Gallery, Excelsior, MN Honorable Mention, The American Landscape 2005, Maryland Federation of Art, curated by Stephen Dougherty, editor of American Artist magazine First Place, Grand Marais Art Colony Plein Air, 2004, 2005 Collector’s Choice Award, Red Stallion Gallery, Estes Park Plein Air, 2005 Second Place, Paintings Minnesota State Fair Fine Arts Exhibtion, 2002
ExhibitionsA Russian Night in Taos, Taos Art Museum & Fechin House, August 2007 One-person show, Minneapolis Woman's Club, March-April 2007 “Drawn To Nature” juried exhibition, Bell Museum, University of Minnesota, 2006 Central Regional Exhibition, Oil Painters of America, 2005 Salon International juried exhibition, Greenhouse Gallery, San Antonio, TX, 2005 Metropolitan Council (Minneapolis/St. Paul) Community Arts Partnership exhibition program, 2005 Work selected for display at the Minnesota Governor’s Residence, 2004 Minnesota State Fair Fine Arts Exhibtion, 2002, 2003, 2004, 2005, 2006 Award for Excellence, Minnesota Artists Association, Fall Open Show 2002 |
In 2001, after 22 years as a magazine designer, I left my computer to go outside and paint. I soon discovered that nature never fails to reward and challenge an artist: constantly changing colors, light, and atmosphere. Cold and wind. And bugs. I practice an approach to plein air painting that centers around the “prismatic palette,” a color theory with roots in fin de siecle France. I studied with Joseph Paquet in St. Paul, who had trained under John Phillip Osborne at the Ridgewood Art Institute in New Jersey. Osborne’s philosophy came from his training with Arthur Maynard, who learned under Frank Vincent Dumond, a renowned artist/teacher at the Art Students League in New York. Dumond had studied in the classical tradition at the Academie Julian in France, and was influenced by the new Impressionist ideas regarding color and light. Upon returning to America, Dumond taught in Old Lyme, Connecticut, which became a magnet for American landscape painters. My practice incorporates the use of the prismatic color palette, an emphasis on accurate draftsmanship, and ideas about composition learned during my years as an art director. My paintings are impressionistic in that they describe the unique character of a particular day’s weather and light, and realistic in their desire to show the world as it is. In addition, I use the language of landscape to express abstract notions about color, form, design—and simply for the pleasing texture of paint on canvas.
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